Thursday, 27 June 2013

Drawing event at the Department of Coffee and Social Affairs

Hello, London Urban Sketchers and everybody who is keen to meet up and draw

July is upon us soon so is the drawing event at the Coffeesmiths (Department of Coffee and Social Affairs, 14–16 Leather Lane, London EC1N 7SU)  - Saturday 6 July. It's a wonderful cafe/exhibition venue where I am participating in a landscape group show by Leigh Glover. Would be great to catch up then over some drawing and coffee  - please stop  by between noon and 4 pm. Here is a facebook event page for rsvp


(watercolour and ink pen, 8x8 in, 2009)


Friday, 21 June 2013

Animating London

For the last six months I've been working on the graduation project for my animation course at Central Saint Martins. I wanted to make a short film that combined storytelling with my love of location sketching.

I started drawing London initially because I was looking for a way of re-engaging with my favourite places, after having lived here for a while and struggling somewhat to always appreciate it as much as I used to. That led to meeting other urban sketchers and getting involved with a whole community of artists, all drawing and painting their surroundings and everyday life, for all sorts of reasons, and creatively I've found that a fantastic atmosphere to be a part of. I wanted to try to convey the excitement of drawing and how it can bring places to life.

I was also very interested in how to tie together hand-drawn animation, which is tightly planned out and time consuming, with location sketching, which is by its nature spontaneous and relatively quick. There's been a lot of different takes on animated sketchbooks — probably the most famous is Bastien Dubois's Oscar-nominated "Madagascar, Carnet de voyage". I was also inspired by the work of a fellow Urban Sketcher from Berlin, Bo Soremsky, who animates many of his location drawings.

I ended up settling on a documentary style with a cartoon version of myself as the presenter, allowing me to impose a narrative, while using as much as possible from my sketchbooks. I visited the locations several times to work out a framing for the characters to move around within, and once I was happy this was all working, I went back and did a full sketch on site.

Sketching the background for my Crystal Palace scene

It was quite a different way of working, because I had to be much more conscious of compositional elements, particularly the aspect ratio of my film, and also omitting the people walking by, concentrating solely on the landscape. Normally, backgrounds in animation would be drawn using photo reference and/or the artist's imagination, but for this project I was keen to do as much drawing as possible from life and on location, which added a welcome unpredictability to how things would look in the finished film. I wasn't concerned with creating a 'perfect' drawing so much as creating a record of the actual visit, mistakes and all.

The original drawing from my sketchbook before starting the project

The drawing I used as a background, done on location with much more attention paid to composition

Returning to redraw scenes, it was interesting to note the changes that had occurred in the intervening time. In the Strand, the view that I drew six months ago has now completely changed with the demolition of an entire building. At Crystal Palace Park, the fence had been replaced, and foliage cut back. Comparing the two drawings now, I also see I drew the dinosaur in the first one with a smile, and the second time looking rather grumpier. Completely unintentional, but perhaps a reflection of my psyche at the time — who knows!

Another interesting dimension to presenting drawings in film is the use of sound. I was able to work with sound artist Sophie Mallett who recorded many of the ambient sounds for the scenes I sketched at those particular locations. Of the project, she said: "I imagine that site recording is the same as sketching on site. There's an activity tying you to the place that makes you physically stay longer than you normally would. There's a sensation of the space changing over that time, as you move past a superficial understanding of the place to a personal experience of it... The project meant that I stayed longer, listened more, and through the 'lens' of the microphone heard more than the typical London cacophony."

I've posted a clip from the film above, but you can see the full three-minute film along with animations from my classmates and artwork from all the courses at the college, by heading to Kings Cross this week. The CSM Degree Show is open to the public from now until Sunday 23 June...


Monday, 17 June 2013

Down to Wapping

I received an email from a young designer who had found my drawings on Flickr and was enquiring about the possibility of using some of them in the redesign of  a menu for a London pub. Now as it happens, this pub is one of my favourite London pubs, so I was immediately hooked. The pub is The Town of Ramsgate, situated down in Wapping. When I was a boy this was a dodgy area that suburban folk like me would rarely visit. Back then it was warehouses, docks and ill-lit streets, with stone setts, and no easy transport links. Now it's very upmarket apartments in converted warehouses and there's a refurbished station for the newly refurbished London Overground.
The Town of Ramsgate dates back to at least the mid-sixteenth century. It is a riverside pub, right next to the Old Wapping Steps, an ancient access to the river itself, and the foreshore. It's an area of interesting history. These steps were the site of execution for those found guilty of piracy, whose bodies were hung on the gibbet until they had been covered by three tides. Captain Kidd is reputed to have been one of these unfortunates. The pub itself was the place where the London mob found and caught the notorious 'Hanging' Judge Jefferies who was trying to arrange a boat to flee his own trial.
If you're visiting London, I'd recommend a visit, just a little walk east of Tower Bridge.
I met the designer at the pub, and had time for a quick drawing from the steps across the river to Rotherhithe:
Rotherhithe from the top of Wapping Old Steps

The visit to Wapping, and my discussions with the designer, made me dig out the old  (2009ish) drawings that I hadn't looked at for a while. Here they are:

Wapping Old Steps, tide rising

Wapping High Street - Gun Wharves

Wapping church

Beside the Town of Ramsgate - alley leading to the Wapping Old Steps


Thursday, 13 June 2013

2 pm, 22-09-2012, Geffrye Museum

19x19 cm, oil on panel, 2012

It rained on the day of painting at the Geffrye Museum so the garden pergola was of great help...


Sketching Jack's London: a sketchcrawl through the Ripper's city

Sketching Jacks London: sketchcrawl, July 17
'Ello London! Been a while since I was last there but I am going to be back home next month, visiting family, drawing things and popping over to Barcelona. I am looking forward to posting London sketches again, I do miss the place. So I thought it would be fun this time to organize a slightly different type of sketchcrawl, midweek in the afternoon to the evening, in the area made infamous by Jack the Ripper. The London of the Ripper's days is, thankfully, long gone, but has not completely vanished - old London still pokes through, and so I thought it might be fun to look for this lost London by using our sketchbooks. Or of course, you can draw the hipsters.

We'll meet at Whitechapel tube station at 3:00pm, and from there take in the High Street, Aldgate, Brick Lane and Spitalfields; latecomers are welcome (and I can let you know how to contact me). We will finally reconvene outside Hawksmoor's Christchurch Spitalfields, on Commercial St, where we will look at each others sketchbooks, and maybe pop into the that most 'Ripper' of pubs, the Ten Bells, for a pint.

WHEN: Wednesday July 17, 2013
START:  3:00pm, Whitechapel Tube Station
FINISH: 8:30pm, Christchurch Spitalfields 

This sketchcrawl is as always FREE and open to anyone with an interest in sketching, all ages and levels. I will provide hand-drawn maps with some vaguely relevant Jack the Ripper info.

Hope to see you there!
Pete Scully

Saturday, 8 June 2013

Houses of Parliament

James Hobbs, Houses of Parliament, London

My cycle ride to and from work takes me along the Albert Embankment, a quiet footpath/cycleway between St Thomas' Hospital and the river, which looks over to the Houses of Parliament. It's a relaxing section of my commute, and during the winter months not so busy. But now the sun has finally appeared, it's busier and the visitors posing for photos against the distinctive buildings on the opposite banks have swelled in number.
I stopped at a coffee stand near Lambeth Bridge to draw this on my way home this week. The sun was setting, people strolled by and boats chugged along, and London suddenly (and fleetingly) seemed like the most laid back place in the world. With the sun setting behind them, the parliament buildings became little more than a silhouette. It's what thick black pens are made for.